Target Audience
The target audience for our film is going to be aged
between 15-40, the ceritifcate of the film is going to be from 15-40.
From looking at previous horror
films which have a similar sense to ours, I gathered some information from films
this year which have appealed to the similar target audience which we are trying
to gather. I started looking at a website which showed the 25 top Netflix
horror's which are frequently shown. As netflix has become a much larger network
this year for younger a younger audince of around 17-18 this would fit perfectly
for some key statistics which may help our film.
5. The Cabin In The
Woods
Year: 2011
Director: Drew Goddard
For a movie chock-full of twists, perhaps
the biggest is that despite all appearances to the contrary, The Cabin in the Woods is a heartfelt love story. Mind you,
not between any of the young and pretty college students who tempt fate at the
cabin in question. No, this romance is between creators Joss Whedon and Drew
Goddard, and the scary-movie genre as a whole. A ménage à terror, if you will.
Like Scream before it, the film is a simultaneous
dissection and celebration of all the tropes to which it pays homage, while also
managing to be a superb example of the genre in its own right. The script is
vintage Whedon—smart, funny and surprising. Thanks to Goddard’s direction and
staging, and despite the film’s very focus on the formulaic nature of horror, it
still manages to be tense, atmospheric and jump-out-of-your-seat scary.
The Cabin in the
Woods may very well
be the ultimate schlocky little horror movie.—Dan Kaufman
Year:
1929
Director: F. W. Marnau
F.W. Murnau’s sublimely
peculiar riff on Dracula has been a fixture of the genre for so long that to
justify its place on this list seems like a waste of time. Magnificent in its
freakish, dour mood and visual eccentricities, the movie invented much of modern
vampire lore as we know it. It’s once-a-year required viewing of the most
rewarding kind.—Sean Gandert
Year: 2008
Director: Tomas
Alfredson
Vampire stories are plastered
all over American pop culture these days (True Blood, Twilight,
The Vampire Diaries), but leave it to the Swedes to produce a vampire
film that manages to be both sweet and frightening. The friendship between
Oskar, a scrawny, 12-year-old outcast, and Eli, a centuries-old vampire frozen
in the body of a child, is a chilling but beautiful story to behold.—Jeremy
Medina
2. The Silence of
the Lambs
Year: 1991
Director: Jonathan
Demme
In the face of grotesque
sequels, lesser prequels and numerous parodies, The Silence of the Lambs
still stands as a cinematic work of art among crime dramas. Winning the five
gold rings of Oscar-dom (best picture, best director, best actor, best actress,
best screenplay) Anthony Hopkins’ portrayal of the murderous Hannibal Lecter
proves the worth of surrounding one of cinema’s greatest thespians with a
stellar supporting team. Director Jonathan Demme deftly wields the brush of that
talent to bring audiences into the dark, sadistic world of Dr. Lecter while
leaving them gasping at the twists and turns of novelist Thomas Harris’
gruesomely wonderful story. As what happens with all great films, second and
third viewings fail to diminish the ride.—Tim Basham
1. Rosemary’s
Baby
Year: 1968
Director: Roman
Polanski
The most famous of Polanski’s
paranoid thrillers, not to mention the most inviolable. The film infiltrates a
privileged space of middle-class entitlement and pollutes it with the most
extreme evil possible: sweet, unassuming Rosemary (Mia Farrow) is pregnant, but
could her baby already belong to someone else? The volatile climax has an
answer, and the sequence has remained one of the most celebrated in horror
history for good reason.—Sean Edgar
As you can see the
films which scored the highest is a rather old film, and this is the most viewed
film of 2014 on Netflix, obviously our target audience typically prefer a much
newer horror film compared to an old one produced in the 1960s. Statistics show
that 17 year olds specifically prefer jump scares rather than scares which are
less startling.